Description
Back To All Workshops
18
Min. Age
15
Batch Size
Basic
Skill Level
21 days / 72 Hours
Duration
English
Language
Share This Workshop:
Share on facebook
Share on whatsapp
Share on twitter
Share on linkedin
Overview
This is an intensive, comprehensive hands-on filmmaking workshop where the aesthetics of cinema are explained in theory as well as in practice.
Participants will learn the narrative film form and the nature of its creation by participating in its production process.
- Screening and analysis of classic masterpieces will give a sense of the power of this medium.
- A team of experienced mentors and other film industry professionals from various areas of expertise will instruct and guide the participants through all major stages of professional filmmaking, from History of Cinema, Screenwriting, Direction, Production, Cinematography to Video Editing on FCP.
- During the filmmaking course a short film will be developed and produced by each participant. This will give you a practical experience of the entire filmmaking process.
WHO THIS WORKSHOP IS FOR:
- Passionate individuals who want to learn to make movies.
- Students who are considering films as a vocational pursuit.
- Film industry/Media professionals working in any department.
- Aspiring Youtube/online video content creators.
- Educators/Trainers (to make films as a tool for training)
The Workshop will be conducted over 21 Days from 18:00 to 21:00 weekdays and 10:00 to 18:00 (with 2hr break in between) on weekends.
SYLLABUS
Understanding Cinema
- Origins of Cinema: Why did we invent films?
- The medium of Images (moving): What is the true nature of this misunderstood art form?
- The Powers of Film: How, What, and Why do movies affect us?
- Film Language: Speaking with images, not words
Screenings of films by Norman McLaren, Charles & Ray Eames, Maya Deren, et al. - Cinema vs other media
Direction
- Major Movements in Cinema: Hollywood Continuity, Soviet Montage, Italian neo-realism, French New Wave/ Nouvelle Vague, and more
- Forms in Cinema: Documentary, Dominant Mainstream, Independent, among other.
- Grammar of Cinema:
- Image size, magnification, Mise-en-scene, camera angles, camera movements, et al.
- Director as the author of the film: Vision and realization through cinema
- Role and duties of the Director: Responsibilities during the entire process
- Pre-Production duties of a Director: Screenplay, Shot divisions, Shooting Script
- Production duties of a Director: Handling Actors, working with the DOP, production designer and other other technicians.
- Post-Production duties
Screenwriting
- Screenwriting: An Introduction
- Basic characteristics of “Cinematic” writing
- Story Idea/Concept; Character and Plot
- Writing Exercise with Prompts
- The Three Act Structure – beginnings, middles and endings
- Construction of Scenes
- Screenplay formatting
- Discussion of story ideas for short film
- Development of script (Plot, Characters, Basic story line)
- Writing first draft
Cinematography
- Role of a Cinematographer
- History – Cinema and Cameras
- Basic Still Photography
- Framing, Exposure, Depth of Field, Shutter Speed, et al.
- Lensing
- Image Magnification, Area of Coverage, Plane of Focus
- Camera and Gear options
- Camera Movements and Continuity
- Lights and Lighting
Sound Design
- Introduction to Basics of Sound
- Aesthetic uses
- Technical aspects
- Importance of Sound in any A/V medium
- Sound and Cinema: a brief history
- Sound Designing – basic concepts, techniques and more
- The Sound Department
- Duties and responsibilities of sound personnel at different stages of filmmaking
Editing
- Editing Concepts
- Rhythm and pace of a film
- History of Editing
- Soviet Montage; American Continuity; French New Wave
- Storytelling through Editing
- Types of Cuts: Jump cut, Match cut, Cutting on action, et al.
- Transitions: Fade, Dissolve, Wipe, Iris, et al.
- Making a First Cut: Rushes, Assembly, & Software.
Film Production: Writing, Shooting, and Editing
Students will learn about the production process by making their own Short Film.
- The development of the final film will begin during the screenwriting session.
- In preparation of the shoot, students will
- Write the final draft of the Screenplay
- Create a Story-Board for the Film
- Make Shot Divisions; shooting schedule
- Scene breakdown; Props and equipment required
- Our mentor will be available to answer queries while you make your film, constantly guiding you and ensuring that the correct methods are followed.
About the Mentor
Prashant Desai
Cinematographer & Filmmaker
Prof. Prashant Desai (Anchor Faculty) graduated from the Film & television Institute of India (FTII), Pune in Cinema with specialization in Cinematography in 1982. Since then he has worked in the industry in various capacities in Cinematography, screenplay writing, Production and Direction. He has taught at FTII, Pune and NID, Ahmedabad. He was the HOD (Film & Video) at MIT Institute of Design, Pune and Xavier Institute of Communication, Mumbai. He teaches at SNDT, Mumbai, regularly since 1996. He has also taught at FLAME and MRID (Maharaja Ranjit Singh Gaekwad Institute of Design, Baroda) His Filmmaking and Film Appreciation course are highly appreciated by the participants. He is also a partner at Living Bridge.
Vaidehi Sancheti
Screenwriting
Lalit Tewari
Cinematography
Subhashis Roy
Sound Design
Niraj Voralia
Editing
Are You Ready To Start?
Learn More and Save More! upto 30% Off!
Did this Workshop? Share your experience!
More Workshops
You might also be interested in these Workshops
Virtual Workshop
Screenwriting Fundamentals
In this 3-week long workshop, get all your questions addressed and understand the process of screenwriting by attempting to write a short film.
Screenwriting Fundamentals
3 Weeks – 3hrs per Day
View Workshop
Virtual Workshop
Basics of Sound Design
Though Sound is one of the most talked about subjects in films, it is still the least understood department of Filmmaking. It has been observed that captivating sound is one of the most important attributes that separate a professional film from an amateur one.
Basics of Sound Design
4 Days – 4hrs per Day
View Workshop
Attended the filmmaking workshop in Dec 2020 batch.
Found it very useful, all mentors were extremely knowledgeable with practical industry experience combined with teaching experience. All of them were very keen to teach and most of the sessions ran beyond the scheduled time.
For those who plan to attend in future –
The sessions are quite intense with very few breaks, and demands absolute focus.
It would be great if you can manage to keep time aside just for this and not multitask.
It’s a wonderful opportunity to learn the craft, as it’s very rare to find such knowledgeable and dedicated mentors!
Special thanks to Prashant Sir for guiding us through the workshop right from the start to the end and for helping us get through all the hurdles we faced during the filming and edits.
Thanks Living Bridge for putting together this fantastic course and for bringing together such amazing mentors.
Looking forward to joining the Writing workshop!
Best,
Shweta
Registering for this workshop was the best decision I took in 2020! I am an aspiring screenwriter, constantly seeking opportunities for self-education in the art and craft of Cinema. Having acquired half baked knowledge from the internet, I would often get confused regarding the roles and responsibilities of other departments of filmmaking especially Direction and Editing. This workshop not only resolved my doubts and apprehensions but also gave me a chance to work in all the fundamental areas of a film, beginning from writing a script, to planning the shots, to capturing them suitably on a camera, to working on the sound and finally editing it into a meaningful whole. The best part about the workshop was the guidance of all the mentors involved who culminated their knowledge and industry experience into precise lessons delivered with clarity. Even with the limited time, questions and discussions were encouraged and entertained. The online mode of the workshop enabled a wide variety of participation and exchange of workshop related resources and material was seamlessly handled. I can safely say that in this much cost and with this batch size to give adequate attention to all, a better course/training is not available. I am very grateful to Living Bridge for organizing this workshop and to all the mentors for gently introducing me to the complex world of films and filmmaking. Though the task seems daunting, I am now hugely excited and confident to use the language of Cinema as my medium of expression.
Thus, our results indicate that both the caspase and JNK pathways are required in TAM induced apoptosis in breast cancer cells because interfering with either pathway blocked apoptosis buy priligy 30 mg x 10 pill Intermittent ADT or antiandrogen monotherapy may be appropriate for select patients eg, those with biochemical relapse, low burden of metastases with more indolent course, and deep PSA nadir at high risk for cardiovascular events; such patients should be evaluated on an individual basis and engaged in shared decision making, weighing the risk of a cardiovascular event vs cancer progression
This blog world at times like this tickles me priligy precio I pray you find a solution that works for you and your sweet girl to make her happy and comfortable
priligy and viagra RANK ligand inhibitors and bisphosphonates see Medications section are associated with medication related osteonecrosis of the jaw MRONJ
Epub 2006 Jun 19 [url=https://fastpriligy.top/]priligy at walgreens[/url] When the BBer diets down, all this is lost, and the truth is seen
Epub 2019 Dec 3 where to buy generic cytotec without dr prescription lotrel fosamax lawsuit Born and brought up in Pakistan, Sana has settled in Baltimore
how to get generic cytotec online Blood pressure tracking in Korean schoolchildren