This workshop is a historical survey of global cinema from the silent era to contemporary eras. Moving roughly in chronological order, it will examine the major international films movements and breakthroughs in the aesthetic, cultural and political development of cinema around the world. Each session is organized around a case study, typically framed by its specific historical, social and political contexts.
OBJECTIVES IF THIS WORKSHOP:
To demonstrate an understanding and appreciation for the history, culture, and aesthetics of diverse movements, major eras, key figures, industries and institutions in world cinema.
To explore transnational influences, appropriations, and legacies of landmark cinematic movements and eras on contemporary filmmaking.
To examine the relation between cinematic history and global production practices
EXPECTED LEARNING OUTCOMES:
Demonstrate understanding of key figures, institutions, and cultural and historical contexts within canonical tendencies in world cinema history.
Develop a grasp of concepts, approaches and methods in the analysis of international film style across its major phases and industries, and their influence on Indian filmmakers and cinemas.
Develop knowledge, understanding, and appreciation of global cinemas, while building tolerance and empathy for diverse peoples, societies and cultures
The Workshop will be conducted over 4 weekends from 10:00 to 12:30.
Dr. Nandana Bose is a film scholar, author and educator who has taught Film Studies courses in U.K., USA and India for over a decade. She is a former Associate Professor in the Department of Film Studies at the University of North Carolina Wilmington (UNCW), USA where she enjoyed teaching courses such as Introduction to Film Study, New Korean Cinema, World Cinema and Popular Hindi Cinema. She was awarded tenure with promotion by UNCW in 2015. More recently, she was Associate Professor at FLAME University, Pune. She holds a PhD degree in Film Studies from University of Nottingham, England, two Masters’ degrees, and is a gold medallist from Jadavpur University.
A Better Tomorrow, The Killer, In the Mood for Love etc.
Korean Cinema 1 – History
The Housemaid (Kim Ki-young, 1960) etc.
New Korean Cinema – Bong Joon-Ho & “386 directors”
Memories of Murder (Bong Joon-ho, 2003, 124 min)
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