This workshop is a historical survey of global cinema from the silent era to contemporary eras. Moving roughly in chronological order, it will examine the major international films movements and breakthroughs in the aesthetic, cultural and political development of cinema around the world. Each session is organized around a case study, typically framed by its specific historical, social and political contexts.
OBJECTIVES IF THIS WORKSHOP:
To demonstrate an understanding and appreciation for the history, culture, and aesthetics of diverse movements, major eras, key figures, industries and institutions in world cinema.
To explore transnational influences, appropriations, and legacies of landmark cinematic movements and eras on contemporary filmmaking.
To examine the relation between cinematic history and global production practices
EXPECTED LEARNING OUTCOMES:
Demonstrate understanding of key figures, institutions, and cultural and historical contexts within canonical tendencies in world cinema history.
Develop a grasp of concepts, approaches and methods in the analysis of international film style across its major phases and industries, and their influence on Indian filmmakers and cinemas.
Develop knowledge, understanding, and appreciation of global cinemas, while building tolerance and empathy for diverse peoples, societies and cultures
The Workshop will be conducted over 4 weekends from 10:00 to 12:30.
Dr. Nandana Bose is a film scholar, author and educator who has taught Film Studies courses in U.K., USA and India for over a decade. She is a former Associate Professor in the Department of Film Studies at the University of North Carolina Wilmington (UNCW), USA where she enjoyed teaching courses such as Introduction to Film Study, New Korean Cinema, World Cinema and Popular Hindi Cinema. She was awarded tenure with promotion by UNCW in 2015. More recently, she was Associate Professor at FLAME University, Pune. She holds a PhD degree in Film Studies from University of Nottingham, England, two Masters’ degrees, and is a gold medallist from Jadavpur University.
A Better Tomorrow, The Killer, In the Mood for Love etc.
Korean Cinema 1 – History
The Housemaid (Kim Ki-young, 1960) etc.
New Korean Cinema – Bong Joon-Ho & “386 directors”
Memories of Murder (Bong Joon-ho, 2003, 124 min)
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Divya Sud
Global Film Cultures
Thank you so much for the wonderful sessions. Over the course of the four weeks, I learnt a lot more about film history and many genres previously unbeknownst to me. Furthermore, I also could appreciate and view many of the films I’ve loved in the past from a new perspective. I genuinely enjoyed both the films and all your commentary during classes and was often left in awe upon seeing the vast knowledge you have about this subject. I truly loved the class and would love to do another course like this whenever I have the opportunity.
11 June, 2021
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Pooja Sudhir
Witness to Pure Passion
Dr. Nandana’s lectures were marked by dedication and quality content. She arrived for each class with the clear intention of imparting pure, unadulterated knowledge. The breadth of her knowledge and the precision of her pronunciations were impressive, to say the least. The fact that each of her units had a curated list of reference books had echoes of her illustrious academic background. However, it was not the content of her lectures but her undeterred, single-minded passion and quest for films and filmmakers that impacted me the most. This is a short course, which will have long-term resonance with its participants.
1 June, 2021
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Soumi Dutta
Beautiful
This was so profound and I learnt so much from it!
17 May, 2021
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Keshab Ray
It was an enthralling expericence.
The workshop was a cinematic tour of different cultures, various set-ups, and multiple industries and movements.
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